# use it like: python3 espota.py -i -I -p -P -f # This script will push an OTA update to the ESP # Modified since from Matthew O'Gorman () I’m not sure why the timeout would configurable… as going by the espota.py script, it is hard coded for 10 seconds, and doesn’t have a ‘timeout’ option… quite strange! Maybe platformio is running it multiple times? esp8266/Arduino/blob/master/tools/espota.py?utm_source=platformio&utm_medium=docs #!/usr/bin/env python3 I’d probably be tempted to increase the lookup to at least 5 seconds, so 50… I’ll have a look at the code I did to do something similar… basically all in setup instead of loop. Is my look of 30x 100ms enough to catch the OTA (the while loop with ota handle() ). In platformio.ini " upload_flags = -timeout=20" it looks like the unit for this flag is 10sec ? curious, no? It does not always works and I wonder the following: So I launch an upload from atom and just wait… I do not have any “loop()” fonction, like most code with deepsleep, so I set a short loop at the end of my code, this way: mqtt.disconnect() ĪrduinoOTA.begin() // initialisation de l'OTA I added some OTA handling at the end of my code, before going back to sleep. I currently work on a weather sensor that spend most of its time in deepsleep, shortly wake up, measure and send data and goes back to deepsleep. With the completion of their latest full length, the band will be seeking representation and is looking forward to playing new venues, festivals and touring.I use atom+platformio to develop some software on ESP8266. Late 2008 brought Brian Arthur on keys, rounding out the band's sound and allowing The Company the flexibility to diverge from sequenced sounds at will.ĭeepsleep has performed in Seattle since 2004 and since 2007 has held a monthly residence at ToST Lounge, inviting local acts to join the bill with them. By 2007, Lynn Turner began adding her visual art to the band's sounds, projecting her work during performances and contributing an ethereal dimension to Deepsleep shows. In 2006, Lena Baisden joined the line up, lending her 1940's-jazz-singers-inspired sultry vocals. In 2005, founding members Tom Morhman (turntables) and Jay Wilson (drums) met Aydin Tankut, a bassist songwriter and Turkish scientist. They make this music for themselves to enjoy first, then the world. The majority of The Deepsleepers have crossed paths with each other spanning the course of a couple decades and a couple cities. The Company is a group of old friends making new music. Everyone involved has put such passion into the album that The Deepsleep Narcotics Company is just that much more eager to share its sounds with listeners. John Fricke, trumpet virtuoso with a big name and bigger resume in Seattle, laid down beautiful work on several tracks. Michael Shrieve, the original drummer for Santana and the creative force within Seattle-based project Spellbinder, has contributed countless hours to consulting Jay Wilson (drums) and Lena Baisden (vocals) on percussive and vocal layouts, respectively. Steve Fisk, (mixer/producer/engineer/musician/legend) who has worked with the likes of Nirvana, Soundgarden, Soul Coughing, Maktub, Ben Gibbard, and many more, mixed the tracks and put in his two cents as impulse arose. Their upcoming 2009 full length independent release has been supported by quite a few Seattle powerhouses. They are influenced and inspired by their surroundings – music, literature, film, science, paintings, conversations, politics – which often find a way into the songs. Their upcoming release and live shows demonstrate a range of sounds: each song moves differently from the rest and no two are alike. The Deepsleep Narcotics Company combines down-tempo, jazz, electronics, scratching, smoky female vocals and dark lap top compositions into a sound labeled Electro-Noir.
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